Archive for September 5th, 2007

05
Sep

visible only to the heart

“You can’t still love me”, she said. I’m not enough. I’m not loveable. I’m no-one. I don’t deserve to be loved. I’m not worth enough. I’m not pretty or clever enough. There are so many others that are so much more than me. Why would you choose me? I don’t understand. After all I’ve said and done. I’m not enough.

But all she wanted was to know there was someone out there who would die for her, someone who would search for her across the corners of the world just to be near her. Someone who would fight for her with everything he had and pursue her with all his strength. That she had been noticed and was precious, a priority. To be loved.

It sounds so ridiculous when it’s written down like that, but it’s a person’s greatest struggle – to accept you’re worthy of being loved.

Contrary to prevailing majority public opinion, I’m not perfect. Far from it. In fact my list of imperfections is really quite frightening. I had to re-learn a lot of what love is very painfully because the view I was given involuntarily (and still hold in a lot of ways) was corrupt. We all suffer similar as the role models we have aren’t perfect either. But some are so dysfunctional and maladjusted they do massive damage to the innocent. The way we treat the people we love helps them to define themselves and what they believe they are worth. If we are treated badly, we automatically believe and agree it is because we somehow deserve it.

Love is a fascinating concept. It seems so easy to define, but when you actually try to define it, it’s absolutely impossible. Psychiatrists spend decades trying to pin it down but they can’t. It’s so simple yet so incredibly complex; something to be felt with the heart rather than looked up In a dictionary.

We learn what love is and what’s its like from the way we’ve been loved by other people. If we have been loved truly by someone, we learn to love truly. If we have been hurt, abused, bullied, starved or neglected by those who were supposed to love us, the idea of love we form in our minds is corrupted. In fact, we become scared of love, intimacy and all it entails. Or more importantly, we become scared of the consequences of loving someone or being intimate with them.

Being besotted is not love; it’s need. Being obsessed with one person isn’t love; it’s need. Love takes time and doesn’t get more or less, bigger or smaller, or shallower and deeper. Love grows naturally and doesn’t disappear at the drop of a hat. It never dies and it lasts forever – it is timeless and unstoppable. It forgives everything and wipes the slate clean against all reason and evidence of blatant complicity. Love is a gentle warmth and a glow that surrounds you and is adsorbed by everyone else around. It is an act and a verb, not a feeling or a beautiful phrase.

Love means it doesn’t matter what you look like or what you are wearing, as what you see is the most beautiful thing in the world – so beautiful you can barely stand to look at it. So beautiful you could die. It is a ravenous insatiable hunger for someone else and never being able to be close enough or inside them deep enough. It is knowing that whatever you are, or have done, what they are or have done, love will only let you see the beauty and light inside. It is the hazy comfort and intuition that you are valued, are not alone in a very big and nasty world, and really matter to someone. It turns the ordinary into the extraordinary, inspires rebirth as a new person and washes away the sins of the past as a guardian that they will not be perpetrated again in the future.

Love is watching a movie together holding hands in the quiet of your space you share. It’s sleeping a tent together and forever checking the weather wherever they are to see if they can see the stars like you did on that night. It’s the frantic rush of crossing oceans at a moment’s notice to be at their bedside if anything happened to them. It s searching and fighting whatever the cost, for however long it takes.

Love challenges you and makes you grow. Its truth and purity can be measured in its motive and its consequences - the will to exend yourself to nurture the spiritual development of another. When you feel loved and safe, everything inside you’ve been holding back bubbles to the surface and Pandora’s box is unleashed. Love is a wrench that opens the heart but the natural and positive healing force that pushes out all the bad things inside, but it can release absolute panic in those who don’t recognise it or suspect it to be something else. We run from it, confuse it and waste it, but it’s more valuable than any precious metal or natural jewel stone. But what’s more miraculous is that although it is more precious than anything else in the world, it’s free.

Love is the gentlest touch but the most overwhelming and tempestuous ocean wave; it makes us kill, turns the weakest men into the most violent warriors and makes the most reasonable people in the world take insanely dangerous risks. Something so pure and gentle carries a greater force than a nuclear bomb, interpersonally speaking. Love breaks and melts the coldest of hearts, and heals the deepest wounds; indeed, it is the only thing that can. It dissolves fear, answers evil with it authority, conquers doubt and cuts directly through darkness . No-one can resist it or fight it, as it infects you automatically with the hypnotic luminescence it paints across everything every day. It knows no reason.

It is the time-stopping daydream of that person when even just the sunshine landing on your face reminds you of their touch and the way their hair falls across their face. When you can’t feel the rain because you’re thinking of them, with them all around you wherever you go because they have an irreplaceable and incomparable home in your heart.

Love changes colours so they are more vital and vibrant; it makes you notice things you didn’t before. Your eyes spark and crystallise as it shines brighter than any enveloping shroud of black that threatens to rake through the path in front of you so it would be impossible to walk on. It is a raging fire that burns with a gentle tide; a whisper in the air that turns into a scream when it’s lost. It makes hours in the moment pass in seconds but can make a minute feel like a lifetime and 10 years feel like yesterday. It is too big to understand, and too wide to know. Unbreakable but vulnerable. Something that keeps us afloat but is easily drowned.

I know very little of love, and I don’t claim to understand it. But I know how it makes me feel and have been lucky enough to feel it in its fullness and most glorious wonder, sometimes to the extremes, and others in its more subtle shades. I’ve got it wrong and missed the mark, misplaced it, abused it and got it completely mixed up with other things. As emotionally violent as I am, I am a love criminal and a love vandal, and although I’m not proud of it, I don’t regret it for a second. Love is an extraordinary and beautiful thing that fascinates and adsorbs me. On my gravestone it will read that I loved as passionately as I lived so I could, simply for the sake of it, because it was the only thing worth living and dying for.

I love you because you are you. Just you. You don’t need to be any more or even be enough, as you already are. I love you for your faults more than I do for the perfections you advertise to hide the things you are ashamed of. You make me feel like a powerful hero and the greatest man alive. Your beauty inspires me, captivates me and floods me with explosive masculine rage. I would fight for you and suffer any pain. I would wage war across continents so I was covered in blood every day for decades if it meant you were there at the end of it to reach out for me and tend my wounds.

So I love you because of how you make me feel, what you do to me, the man you make me, and who you are. That love bonds me to you through my DNA so I become more than one person, but like I’m missing a part of my own body, mind and soul in the empty times because I am not complete without you.

It’s what I feel when you’re not there.

05
Sep

an evening in, bateman-style

BATEMAN
I don’t want you to get drunk, but that’s a very fine Chardonnay you’re not drinking.

[Bateman goes over to his CDs and scans his vast collection. He takes one out and examines it.]

BATEMAN
Do you like Phil Collins? I’ve been a big Genesis fan ever since the release of their 1980 album, Duke. Before that I really didn’t understand any of their work. It was too artsy, too intellectual. It was on Duke where Phil Collins’ presence became more apparent.

[He puts aside the CD and takes out another one.]

BATEMAN
I think “Invisible Touch” is the group’s undisputed masterpiece.

[He puts on the song and gestures for them to follow him into the bedroom.]

BATEMAN
It’s an epic meditation on intangibility, at the same time it deepens and enriches the meaning of the preceding three albums. Christie, take off the robe.

[Bateman puts out a lace teddy. He motions to Christie to put it on.]

BATEMAN
Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress.

[Bateman starts to undress.]

BATEMAN
In terms of lyrical craftsmanship and sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don’t you dance a little?

[Sabrina dances awkwardly. Christie sits on the bed.]

BATEMAN
Take the lyrics to “Land of Confusion.” In this song, Phil Collins addresses the problem of abusive political authority.

[Bateman knots a silk scarf around Christie's neck - rather menacingly - then helps her into some suede gloves.]

BATEMAN
“In Too Deep” is the most moving pop song of the 1980s about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything ‘ve heard in rock.

[He turns on the video camera.]

BATEMAN
Christie, get down on your knees, so Sabrina can see your asshole.

[Bateman looks through the viewfinder.]

BATEMAN
Phill Collins solo efforts seem to be more commercial and therefore more satisfying in a narrower way, especially songs like “In the Air Tonight” and “Against All Odds.” Sabrina, don’t just stare at it. Eat it.

[He walks over to the sound system in his bedroom and slides in the CD.]

BATEMAN
But I also think that Phill Collins works better within the confines of the group than as a solo artist-and I stress the word artist. This is “Sussudio,” a great, great song, a personal favorite.

[SEX MONTAGE CUT TO "Sussudio." We see this in WIDE SHOT, or through the LENS OF THE VIDEO CAMERA.]

[CUT TO:]

[Bateman asleep in his bed with Christie and Sabrina on either side of him. Sabrina accidentally touches his wrist. Bateman's eyes open.]

BATEMAN
Don’t touch the Rolex.

[Bateman gets up from his bed and goes over to his armoire.]

[He opens the drawer in which are a nail gun, a coat hanger, a rusty butter knife and a half-smoked cigar. He turns around to see Christie and Sabrina both starting to get up and get dressed. He takes the coat hanger.]

BATEMAN
We’re not through yet…

[CUT TO:]

[Bateman ushering them out the door impatiently. They are both sobbing, badly bruised and bleeding. Bateman has a deep scratch on his hand and one on his shoulder. In the b.g. Phil Collins' "In the Air Tonight" is playing.]

[INT. YALE CLUB – DAY]

[McDermott, Van Patten and Bateman are having drinks. Price walks by with a gorgeous girl and gives them the finger.]

From the work of genius that is American Psycho :D

05
Sep

an introduction to your 14 animal senses

We were all taught in school that humans have 5 senses. Unfortunately, that’s not quite accurate. So when someone says “use your instincts”, you actually have a lot more choice than you might expect, and your biological armoury is more highly equipped than you were ever led to believe.

Vision (Sight)
Sight or vision describes the ability of the brain and eye detecting electromagnetic waves within the visible range (light) interpreting the image as “sight.” There is disagreement as to whether this constitutes one, two or even three distinct senses. Neuroanatomists generally regard it as two senses, given that different receptors are responsible for the perception of colour (the frequency of photons of light) and brightness (amplitude/intensity - number of photons of light). Some argue that stereopsis, the perception of depth, also constitutes a sense, but it is generally regarded that this is really a cognitive (that is, post-sensory) function of brain to interpret sensory input to derive new information. This “third” sense has recently been thought by some scientists to be associated with the time dimension, although no concrete proof has yet been recorded to validate this theory. The inability to see is called blindness.

Audition (Hearing)
Audition is the sense of sound perception and results from tiny hair fibres in the inner ear detecting the motion of a membrane which vibrates in response to changes in the pressure exerted by atmospheric particles within (at best) a range of 9 to 22000 Hz, however this changes for each individual. Sound can also be detected as vibrations conducted through the body by tactition. Lower and higher frequencies than can be heard are detected this way only. The inability to hear is called deafness.

Gustation (Taste)
Gustation is one of the two main “chemical” senses. It is well-known that there are at least four types of taste “bud” (receptor) on the tongue and hence there are anatomists who argue that these in fact constitute four or more different senses, given that each receptor conveys information to a slightly different region of the brain. The inability to taste is called ageusia. The four well-known receptors detect sweet, salt, sour, and bitter, although the receptors for sweet and bitter have not been conclusively identified. A fifth receptor, for a sensation called umami, was first theorised in 1908 and its existence confirmed in 2000 The umami receptor detects the amino acid glutamate, a flavor commonly found in meat and in artificial flavourings such as monosodium glutamate.

Olfaction (Smell)
Olfaction is the other “chemical” sense. Unlike taste, there are hundreds of olfactory receptors, each binding to a particular molecular feature. Odor molecules possess a variety of features and thus excite specific receptors more or less strongly. This combination of excitatory signals from different receptors makes up what we perceive as the molecule’s smell. In the brain, olfaction is processed by the olfactory system. Olfactory receptor neurons in the nose differ from most other neurons in that they die and regenerate on a regular basis. The inability to smell is called anosmia. If the different taste-senses are not regarded as separate senses one may argue that Taste and Smell should likewise be grouped together as one sense.

Tactition (Touch)
Touch, or mechanoreception, is the sense of pressure perception, generally in the skin. There are a variety of pressure receptors that respond to variations in pressure (firm, brushing, sustained, etc). The inability to feel anything or almost anything is called anesthesia. Paresthesia is a sensation of tingling, pricking, or numbness of a person’s skin with no apparent long-term physical effect.

Thermoception (Temperature)
Thermoception is the sense of heat and the absence of heat (cold), also by the skin and including internal skin passages. There is some disagreement about how many senses this actually represents - the thermoceptors in the skin are quite different from the homeostatic thermoceptors in the brain (hypothalamus) which provide feedback on internal body temperature.

Nociception (Pain)
Nociception (physiological pain) is the nonconscious perception of near-damage or damage to tissue. It can be classified as from one to three senses, depending on the classification method. The three types of pain receptors are cutaneous (skin), somatic (joints and bones) and visceral (body organs). For a considerable time, it was believed that pain was simply the overloading of pressure receptors, but research in the first half of the 20th century indicated that pain is a distinct phenomenon that intertwines with all other senses, including touch. Pain was once considered a wholly subjective experience, but recent studies show that pain is registered in the anterior cingulate gyrus of the brain.

Equilibrioception (Balance and Acceleration)
Equilibrioception, the vestibular sense, is the perception of balance or acceleration and is related to cavities containing fluid in the inner ear. There is some disagreement as to whether this also includes the sense of “direction” or orientation. However, as with depth perception earlier, it is generally regarded that “direction” is a post-sensory cognitive awareness.

Proprioception (Body awareness)
Proprioception, the kinesthetic sense, is the perception of body awareness and is a sense that people are frequently not aware of, but rely on enormously. More easily demonstrated than explained, proprioception is the “unconscious” awareness of where the various regions of the body are located at any one time. (This can be demonstrated by anyone’s closing the eyes and waving the hand around. Assuming proper proprioceptive function, at no time will the person lose awareness of where the hand actually is, even though it is not being detected by any of the other senses). It can be used in reaction time. Proprioception and touch are related in subtle ways, and their impairment results in surprising and deep deficits in perception and action (Robles-De-La-Torre 2006). In contrast, an octopus has no or limited proprioception due to the complicated shapes their tentacles can form.

Epigastric sense is an anxious feeling localized in the stomach, as in nausea.

Vascular sense is the sensation felt when there is a change in vascular tone, as in blushing.

Gagging is the sensation felt when a foreign object such as food enters the windpipe.

Swallowing is a sensation felt in the throat when swallowing something.

Excretory senses are sensations felt when the urinary bladder or rectum are full.

05
Sep

don miguel ruiz’s 4 agreements

Don Miguel Ruiz’s book, “The Four Agreements” was published in 1997. For many, The Four Agreements is a life-changing book, whose ideas come from the ancient Toltec wisdom of the native people of Southern Mexico. The Toltec were ‘people of knowledge’ - scientists and artists who created a society to explore and conserve the traditional spiritual knowledge and practices of their ancestors. The Toltec viewed science and spirit as part of the same entity, believing that all energy - material or ethereal - is derived from and governed by the universe.

agreement 1
Be impeccable with your word - Speak with integrity. Say only what you mean. Avoid using the word to speak against yourself or to gossip about others. Use the power of your word in the direction of truth and love.

agreement 2
Don’t take anything personally - Nothing others do is because of you. What others say and do is a projection of their own reality, their own dream. When you are immune to the opinions and actions of others, you won’t be the victim of needless suffering.

agreement 3
Don’t make assumptions - Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness and drama. With just this one agreement, you can completely transform your life.

agreement 4
Always do your best - Your best is going to change from moment to moment; it will be different when you are healthy as opposed to sick. Under any circumstance, simply do your best, and you will avoid self-judgment, self-abuse and regret.

Wisdom is always simple.





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