Archive for the 'Wisdom' Category

09
Oct

tim hamilton’s reel truth in advertising

When you think of short film, or web video, for some reason your mind wanders to artsy abstract movies that don’t have a point, any characters or just are utter shit. It can lead you to believe that all that’s out there is Hollywood. But the one thing the web is good for is producing work that is unregulated, so you can get away with whatever you want, and all the things you couldn’t do on broadcast.

In 1999, Tim Hamilton released “Truth In Advertising” which is a bit like “Liar, Liar” where everyone in an advertising agency says what they really think and mean instead of the laye of bullshit they indulge in every day.

It’s a work of genius and some of the most amazing writing you’ll experience for a long time to come.

And 3 years later…

If you like it, you can buy the original DVD from Amazon here:
http://www.amazon.com/exec/obidos/ASIN/B00006JO3C/

09
Oct

understanding the 36 hollywood human storylines

ModerScreenwriting has become a science, and what a fascinating science it is. A lot of people find writing awkward as it is so arbitrary and can generate so possibilities that it is difficult to get specific and focus. But like all things, storywriting has a formula, and genius storytellers (e.g. Quentin Tarantino) are the ones who reinvent it and breath fresh life into it.

Maybe you’ve been watching a film and are sure you’ve seen it before. Many people make the claim that Hollywood only has X number of plots/storylines, and they are continually re-used. And it’s essentially true. Understanding it is known as literary theory.

The basic storytelling formula is derived from Aristotle’s “3 Act Structure“. First, Act I sets up a situation and introduces the characters. Next, Act II complicates it and trashes it, and lastly, Act III provides a resolution. Within those acts, events that trigger major plot direction are added, known as “reversals”. In Hollywood it is known as getting your character up a tree, throwing rocks at him, and getting down out of the tree again.

Drama comes from conflict. In each story you have a protagonist (the good guy) and the antagonist (the bad guy). There is a source of conflict, because without conflict, you have no drama or story to tell of. Everything focuses around a person, or a group of people - every story is told through their eyes. It’s all about rhe characters. Everything else is paperwork.

You can group movies fairly easily:

  • ACTION
    • Buddy Pic
    • Cops & Crooks
    • Eighties
    • Gangster
    • Heist
    • Martial Arts
    • Pirates
    • Post-apocalyptic
    • Spies
    • Superheroes
    • Swashbuckler
    • Sword & Sorcery
    • Vengeance
    • War
    • Western
  • COMEDY
    • Black
    • Comedy of Errors
    • Dark
    • Dramedy
    • Genderbending
    • Mockumentary
    • Romantic
    • Satire
    • Screwball
    • Slapstick
    • Sophomoric
    • Spoof
    • Teen
    • Victorian
  • DRAMA
    • Academy Picture
    • Biography
    • Character Study
    • Class Struggle
    • Coming of Age
    • Courtroom
    • Crime
    • Epic
    • Family
    • Fighting Against The Odds
    • Historical
    • Melodrama
    • Period Piece
    • Political
    • Romantic
    • Terminal Illness
  • HORROR
    • B-Movie
    • Ghost
    • Gorefest
    • Monster
    • Nuclear Mutant
    • Occult
    • Serial Killer
    • lasher
    • Supernatural
    • Teen
    • Torture
    • Vampire
    • Werewolf
    • Witch
    • Zombie
  • ROMANTIC
    • Comedy
    • May-November
    • Separated By Society
    • Unrequited Love
    • Wedding
  • SCI-FI
    • Alien
    • Mutation
    • Cyborgs
    • Doppelganger
    • End of the World
    • Experiments
    • Magic
    • Monsters
    • Robots
    • Space Exploration
    • Space War
    • Supernatural
    • The Future
    • Time Travel
  • SUSPENSE
    • Detectives
    • Thriller
    • International Intrigue
    • Mistaken Identity
    • Mobster
    • Police Procedural
    • Political Thriller
    • Psychological Thriller
    • Spies
    • Whodunnit

In “The Basic Patterns of Plot“, Foster-Harris contends there are 3 types of plot:

  1. “’Type A, happy ending’”; which results when the central character (which he calls the “I-nitial” character) makes a sacrifice (a decision that seems logically “wrong”) for the sake of another.
  2. “’Type B, unhappy ending’”; this pattern follows when the “I-nitial” character does what seems logically “right” and thus fails to make the needed sacrifice.
  3. “’Type C,’ the literary plot, in which, no matter whether we start from the happy or the unhappy fork, proceeding backwards we arrive inevitably at the question, where we stop to wail.” This pattern requires more explanation (Foster-Harris devotes a chapter to the literary plot.) In short, the “literary plot” is one that does not hinge upon decision, but fate; in it, the critical event takes place at the beginning of the story rather than the end. What follows from that event is inevitable, often tragedy. (This in fact coincides with the classical Greek notion of tragedy, which is that such events are fated and inexorable.)

Modern literary theory goes further and defines 7 basic situations that all stories fit it into:

  1. [wo]man vs. nature
  2. [wo]man vs. man
  3. [wo]man vs. the environment
  4. [wo]man vs. machines/technology
  5. [wo]man vs. the supernatural
  6. [wo]man vs. self
  7. [wo]man vs. god/religion/supernatural

Then we look at specific subjects that dominate most books and films. Ronald Tobias propiosed 20 basic plots in his book “20 Master Plots“, which were:

  1. Quest
  2. Adventure
  3. Pursuit
  4. Rescue
  5. Escape
  6. Revenge
  7. The Riddle
  8. Rivalry
  9. Underdog
  10. Temptation
  11. Metamorphosis
  12. Transformation
  13. Maturation
  14. Love
  15. Forbidden Love
  16. Sacrifice
  17. Discovery
  18. Wretched Excess
  19. Ascension
  20. Descension

But the absolute master reference when it comes to storylines, plots and ideas was coined by Georges Polti in the 19th Century in his masterpiece “The Thirty-Six [36] Dramatic Situations” to categorise every dramatic situation that might occur in a story or performance.  He classical Greek texts, plus classical and contemporaneous French works. In his introduction, Polti claims to be continuing the work of Carlo Gozzi, who also identified 36 situations.

01. SUPPLICATION
(The dynamic elements technically necessary are: a Persecutor; a Suppliant; and a Power in authority, whose decision is doubtful)
A.

  1. Fugitives Imploring the Powerful for Help Against Their Enemies
  2. Assistance Implored for the Performance of a Pious Duty Which Has Been Forbidden
  3. (3) Appeals for a Refuge in Which to Die

B.

  1. Hospitality Besought by the Shipwrecked
  2. Charity Entreated by Those Cast Off by Their Own People, Whom They Have Disgraced
  3. Expiation: The Seeking of Pardon, Healing or Deliverance
  4. The Surrender of a Corpse, or of a Relic, Solicited

C.

  1. (Supplication of the Powerful for Those Dear to the Suppliant
  2. Supplication to a Relative in Behalf of Another Relative
  3. Supplication to a Mother’s Lover, in Her Behalf

02. DELIVERANCE
(Elements: an Unfortunate, a Threatener, a Rescuer)
A.

  1. Appearance of a Rescuer to the Condemned

B.

  1. A Parent Replaced Upon a Throne by His Children
  2. Rescue by Friends, or by Strangers Grateful for Benefits Or Hospitality

03. CRIME Pursued by Vengeance
(Elements: an Avenger and a Criminal)
A.

  1. The Avenging of a Slain Parent or Ancestor
  2. The Avenging of a Slain Child or Descendant
  3. Vengeance for a Child Dishonored
  4. The Avenging of a Slain Wife or Husband
  5. Vengeance for the Dishonor, or Attempted Dishonoring, of a Wife
  6. Vengeance for a Mistress Slain
  7. Vengeance for a Slain or Injured Friend
  8. Vengeance for a Sister Seduced

B.

  1. Vengeance for Intentional Injury or Spoliation
  2. Vengeance for Having Been Despoiled During Absence
  3. Revenge for an Attempted Slaying
  4. Revenge for a False Accusation
  5. Vengeance for Violation
  6. Vengeance for Having Been Robbed of One’s Own
  7. Revenge Upon a Whole Sex for a Deception by One

C.

  1. Professional Pursuit of Criminals

04. VENGEANCE Taken For Kindred Upon Kindred
(Elements: Avenging Kinsman; Guilty Kinsman; Remembrance of the Victim, a Relative of Both)
A.

  1. A Father’s Death Avenged Upon a Mother
  2. A Mother’s Death Avenged Upon a Father

B.

  1. A Brother’s Death Avenged Upon a Son

C.

  1. A Father’s Death Avenged Upon a Husband

D.

  1. A Husband’s Death Avenged Upon a Father

05. PURSUIT
(Elements: Punishment and Fugitive)
A.

  1. Fugitives from Justice Pursued for Brigandage, Political Offenses, Etc.

B.

  1. Pursued for a Fault of Love

C.

  1. A Hero Struggling Against a Power

D.

  1. A Pseudo-Madman Struggling Against an Iago-Like Alienist

06. DISASTER
(Elements: a Vanquished Power; a Victorious Enemy or a Messenger)
A.

  1. Defeat Suffered
  2. A Fatherland Destroyed
  3. The Fall of Humanity
  4. A Natural Catastrophe

B.

  1. A Monarch Overthrown

C.

  1. Ingratitude Suffered
  2. The Suffering of Unjust Punishment or Enmity
  3. An Outrage Suffered

D.

  1. Abandonment by a Lover or a Husband
  2. Children Lost by Their Parents

07. FALLING PREY To Cruelty Or Misfortune
(Elements: an Unfortunate; a Master or a Misfortune)
A.

  1. The Innocent Made the Victim of Ambitious Intrigue

B.

  1. The Innocent Despoiled by Those Who Should Protect

C.

  1. The Powerful Dispossessed and Wretched
  2. A Favorite or an Intimate Finds Himself Forgotten

D.

  1. The Unfortunate Robbed of Their Only Hope

08. REVOLT
(Elements: Tyrant and Conspirator)
A.

  1. A Conspiracy Chiefly of One Individual
  2. A Conspiracy of Several

B.

  1. Revolt of One Individual, Who Influences and Involves Others
  2. A Revolt of Many

09. DARING Enterprise
(Elements: a Bold Leader; an Object; an Adversary)
A.

  1. Preparations For War

B.

  1. War
  2. A Combat

C.

  1. Carrying Off a Desired Person or Object
  2. Recapture of a Desired Object

D.

  1. Adventurous Expeditions
  2. Adventure Undertaken for the Purpose of Obtaining a Beloved Woman

10. ABDUCTION
(Elements: the Abductor; the Abducted; the Guardian)
A.

  1. Abduction of an Unwilling Woman

B.

  1. Abduction of a Consenting Woman

C.

  1. Recapture of the Woman Without the Slaying of the Abductor
  2. The Same Case, with the Slaying of the Ravisher

D.

  1. Rescue of a Captive Friend
  2. Of a Child
  3. Of a Soul in Captivity to Error

11. THE ENIGMA
(Elements: Interrogator, Seeker and Problem)
A.

  1. Search for a Person Who Must Be Found on Pain of Death

B.

  1. A Riddle To Be Solved on Pain of Death
  2. The Same Case, in Which the Riddle is Proposed by the Coveted Woman

C.

  1. Temptations Offered With the Object of Discovering His Name
  2. Temptations Offered With the Object of Ascertaining the Sex
  3. Tests for the Purpose of Ascertaining the Mental Condition

12. OBTAINING
(Elements: a Solicitor and an Adversary Who is Refusing, or an Arbitrator and Opposing Parties)
A.

  1. Efforts to Obtain an Object by Ruse or Force

B.

  1. Endeavor by Means of Persuasive Eloquence Alone

C.

  1. Eloquence With an Arbitrator

13. ENMITY Of Kinsmen
(Elements: a Malevolent Kinsman; a Hatred or Reciprocally Hating Kinsman)
A.

  1. Hatred of Brothers — One Brother Hated by Several
  2. Reciprocal Hatred
  3. Hatred Between Relatives for Reasons of Self-Interest

B.

  1. Hatred of Father and Son — Of the Son for the Father
  2. Mutual Hatred
  3. Hatred of Daughter for Father

C.

  1. Hatred of Grandfather for Grandson

D.

  1. Hatred of Father-in-law for Son-in-law

E.

  1. Hatred of Mother-in-law for Daughter-in-law

F.

  1. Infanticide

14. RIVALRY Of Kinsmen
(Elements: the Preferred Kinsman; the Rejected Kinsman; the Object)
A.

  1. Malicious Rivalry of a Brother
  2. Malicious Rivalry of Two Brothers
  3. Rivalry of Two Brothers, With Adultery on the Part of One
  4. Rivalry of Sisters

B.

  1. Rivalry of Father and Son, for an Unmarried Woman
  2. Rivalry of Father and Son, for a Married Woman
  3. Case Similar to the Two Foregoing, But in Which the Object is Already the Wife of the Father
  4. Rivalry of Mother and Daughter

C.

  1. Rivalry of Cousins

D.

  1. Rivalry of Friends

15. MURDEROUS Adultery
(Elements: Two Adulterers; a Betrayed Husband or Wife)
A.

  1. The Slaying of a Husband by, or for, a Paramour
  2. The Slaying of a Trusting Lover

B.

  1. Slaying of a Wife for a Paramour, and in Self-Interest

16. MADNESS
(Elements: Madman and Victim)
A.

  1. Kinsmen Slain in Madness
  2. Lover Slain in Madness
  3. Slaying or Injuring of a Person not Hated

B.

  1. Disgrace Brought Upon Oneself Through Madness

C.

  1. Loss of Loved Ones Brought About by Madness

D.

  1. Madness Brought on by Fear of Hereditary Insanity

17. FATAL Imprudence
(Elements: The Imprudent; the Victim or the Object Lost)
A.

  1. Imprudence the Cause of One’s Own Misfortune
  2. Imprudence the Cause of One’s Own Dishonor

B.

  1. Curiosity the Cause of One’s Own Misfortune
  2. Loss of the Possession of a Loved One, Through Curiosity

C.

  1. Curiosity the Cause of Death or Misfortune to Others
  2. Imprudence the Cause of a Relative’s Death
  3. Imprudence the Cause of a Lover’s Death
  4. Credulity the Cause of Kinsmen’s Deaths

18. INVOLUNTARY Crimes Of Love
(Elements: the Lover, the Beloved; the Revealer)
A.

  1. Discovery that One Has Married One’s Mother
  2. Discovery that One Has Had a Sister as Mistress

B.

  1. Discovery that One Has Married One’s Sister
  2. The Same Case, in Which the Crime Has Been Villainously Planned by a Third Person
  3. Being Upon the Point of Taking a Sister, Unknowingly, as Mistress

C.

  1. Being Upon the Point of Violating, Unknowingly, a Daughter

D.

  1. Being Upon the Point of Committing an Adultery Unknowingly
  2. Adultery Committed Unknowingly

19. SLAYING of a Kinsman Unrecognized
(Elements: the Slayer, the Unrecognized Victim)
A.

  1. Being Upon the Point of Slaying a Daughter Unknowingly, by Command of a Divinity or an Oracle
  2. Through Political Necessity
  3. Through a Rivalry in Love
  4. Through Hatred of the Lover of the Unrecognized Daughter

B.

  1. Being Upon the Point of Killing a Son Unknowingly
  2. The Same Case, Strengthened by Machiavellian Instigations

C.

  1. Being Upon the Point of Slaying a Brother Unknowingly

D.

  1. Slaying of a Mother Unrecognized

E.

  1. A Father Slain Unknowingly, Through Machiavellian Advice

F.

  1. A Grandfather Slain Unknowingly, in Vengeance and Through Instigation

G.

  1. Involuntary Killing of a Loved Woman
  2. Being Upon the Point of Killing a Lover Unrecognized
  3. Failure to Rescue an Unrecognized Son

20. SELF-Sacrificing For An Ideal
(Elements: the Hero; the Ideal; the ‘Creditor’ or the Person or Thing Sacrificed)
A.

  1. Sacrifice of Life for the Sake of One’s Word
  2. Life Sacrifice for the Success of One’s People
  3. Life Sacrificed in Filial Piety
  4. Life Sacrificed for the Sake of One’s Faith

B.

  1. Both Love and Life Sacrificed for One’s Faith, or a Cause
  2. Love Sacrificed to the Interests of State

C.

  1. Sacrifice of Well-Being to Duty

D.

  1. The Ideal of ‘Honor’ Sacrificed to the Ideal of ‘Faith’

21. SELF-Sacrifice For Kindred
(Elements: the Hero; the Kinsman; the ‘Creditor’ or the Person or Thing Sacrificed)
A.

  1. Life Sacrificed for that of a Relative or a Loved One
  2. Life Sacrificed for the Happiness of a Relative or a Loved One

B.

  1. Ambition Sacrificed for the Happiness of a Parent
  2. Ambition Sacrificed for the Life of a Parent

C.

  1. Love Sacrificed for the Sake of a Parent’s Life
  2. For the Happiness of One’s Child
  3. The Same Sacrifice as 2, But Caused by Unjust Laws

D.

  1. Life and Honor Sacrificed for the Life of a Parent or Loved One
  2. Modesty Sacrificed for the Life of a Relative or a Loved One

22. ALL Sacrificed For A Passion
(Elements: the Lover, the Object of the Fatal Passion; the Person or Thing Sacrificed)
A.

  1. Religious Vows of Chastity Broken for a Passion
  2. Respect for a Priest Destroyed
  3. A Future Ruined by Passion
  4. Power Ruined by Passion
  5. Ruin of Mind, Health, and Life
  6. Ruin of Fortunes, Lives, and Honors

B.

  1. Temptations Destroying the Sense of Duty, of Piety, etc.

C.

  1. Destruction of Honor, Fortune, and Life by Erotic Vice
  2. The Same Effect Produced by Any Other Vice

23. NECESSITY Of Sacrificing Love Ones
(Elements: the Hero; the Beloved Victim; the Necessity for the Sacrifice)
A.

  1. Necessity for Sacrificing a Daughter in the Public Interest
  2. Duty of Sacrificing Her in Fulfillment of a Vow to God
  3. Duty of Sacrificing Benefactors or Loved Ones to One’s Faith

B.

  1. Duty of Sacrificing One’s Child, Unknown to Others, Under the Pressure of Necessity
  2. Duty of Sacrificing, Under the Same Circumstances, One’s Father or Husband
  3. Duty of Sacrificing a Son-in-law for the Public Good
  4. Duty of Contending with a Brother-in-Law for the Public Good
  5. Duty of Contending with a Friend

24. RIVALRY Of Superior And Inferior
(Elements: the Superior Rival; the Inferior Rival; the Object)
A.

  1. Masculine Rivalries; of a Mortal and an Immortal
  2. Of a Magician and an Ordinary Man
  3. Of Conqueror and Conquered
  4. Of a King and a Noble
  5. Of a Powerful Person and an Upstart
  6. Of Rich and Poor
  7. Of an Honored Man and a Suspected One
  8. Rivalry of Two Who are Almost Equal
  9. Of the Two Successive Husbands of a Divorcee

B.

  1. Feminine Rivalries; Of a Sorceress and an Ordinary Woman
  2. Of Victor and Prisoner
  3. Of Queen and Subject
  4. Of Lady and Servant
  5. Rivalry Between Memory or an Ideal (That of a Superior Woman) and a Vassal of Her Own

C.

  1. Double Rivalry (A loves B, who loves C, who loves D)

25. ADULTERY
(Elements: a Deceived Husband or Wife; Two Adulterers)
A.

  1. A Mistress Betrayed, For a Young Woman
  2. For a Young Wife

B.

  1. A Wife Betrayed, For a Slave Who Does Not Love in Return
  2. For Debauchery
  3. For a Married Woman
  4. With the Intention of Bigamy
  5. For a Young Girl, who Does Not Love in Return
  6. A Wife Envied by a Young Girl Who is in Love With Her Husband
  7. By a Courtesan

C.

  1. An Antagonistic Husband Sacrificed for a Congenial Lover
  2. A Husband, Believed to be Lost, Forgotten for a Rival
  3. A Commonplace Husband Sacrificed for a Sympathetic Lover
  4. A Good Husband Betrayed for an Inferior Rival
  5. For a Grotesque Rival
  6. For a Commonplace Rival, By a Perverse Wife
  7. For a Rival Less Handsome, But Useful

D.

  1. Vengeance of a Deceived Husband
  2. Jealousy Sacrificed for the Sake of a Cause
  3. Husband Persecuted by a Rejected Rival

26. CRIMES Of Love
(Elements: The Lover, the Beloved)
A.

  1. A Mother in Love with Her Son
  2. A Daughter in Love with her Father
  3. Violation of a Daughter by a Father

B.

  1. A Woman Enamored of Her Stepson
  2. A Woman and Her Stepson Enamored of Each Other
  3. A Woman Being the Mistress, at the Same Time, of a Father and Son, Both of Whom Accept the Situation

C.

  1. A Man Becomes the Lover of his Sister-in-Law
  2. A Brother and Sister in Love with Each Other

D.

  1. A Man Enamored of Another Man, Who Yields

E.

  1. A Woman Enamored of a Beast

27. DISCOVERY Of The Dishonor Of A Loved One
(Elements: the Discoverer; the Guilty One)
A.

  1. Discovery of a Mother’s Shame
  2. Discovery of a Father’s Shame
  3. Discovery of a Daughter’s Dishonor

B.

  1. Discovery of Dishonor in the Family of One’s Fiancee
  2. Discovery than One’s Wife Has Been Violated Before Marriage, Or Since the Marriage
  3. That She Has Previously Committed a Fault
  4. Discovery that One’s Wife Has Formerly Been a Prostitute
  5. Discovery that One’s Mistress, Formerly a Prostitute, Has Returned to Her Old Life
  6. Discovery that One’s Lover is a Scoundrel, or that One’s Mistress is a Woman of Bad Character
  7. The Same Discovery Concerning One’s Wife

C.

  1. Duty of Punishing a Son Who is a Traitor to Country
  2. Duty of Punishing a Son Condemned Under a Law Which the Father Has Made
  3. Duty of Punishing One’s Mother to Avenge One’s Father

28. OBSTACLES To Love
(Elements: Two Lovers, an Obstacle)
A.

  1. Marriage Prevented by Inequality of Rank
  2. Inequality of Fortune an Impediment to Marriage

B.

  1. Marriage Prevented by Enemies and Contingent Obstacles

C.

  1. Marriage Forbidden on Account of the Young Woman’s Previous Betrothal to Another

D.

  1. A Free Union Impeded by the Opposition of Relatives

E.

  1. By the Incompatibility of Temper of the Lovers

29. AN ENEMY Loved
(Elements: The Beloved Enemy; the Lover; the Hater)
A.

  1. The Loved One Hated by Kinsmen of the Lover
  2. The Lover Pursued by the Brothers of His Beloved
  3. The Lover Hated by the Family of His Beloved
  4. The Beloved is an Enemy of the Party of the Woman Who Loves Him

B.

  1. The Beloved is the Slayer of a Kinsman of the Woman Who Loves Him

30. AMBITION
(Elements: an Ambitious Person; a Thing Coveted; an Adversary)
A.

  1. Ambition Watched and Guarded Against by a Kinsman, or By a Person Under Obligation

B.

  1. Rebellious Ambition

C.

  1. Ambition and Covetousness Heaping Crime Upon Crime

31. CONFLICT With A God
(Elements: a Mortal, an Immortal)
A.

  1. Struggle Against a Deity
  2. Strife with the Believers in a God

B.

  1. Controversy with a Deity
  2. Punishment for Contempt of a God
  3. Punishment for Pride Before a God

32. MISTAKEN Jealousy
(Elements: the Jealous One; the Object of Whose Possession He is Jealous; the Supposed Accomplice; the Cause or the Author of the Mistake)
A.

  1. The Mistake Originates in the Suspicious Mind of the Jealous One
  2. Mistaken Jealousy Aroused by Fatal Chance
  3. Mistaken Jealousy of a Love Which is Purely Platonic
  4. Baseless Jealousy Aroused by Malicious Rumors

B.

  1. Jealousy Suggested by a Traitor Who is Moved by Hatred, or Self-Interest

C.

  1. Reciprocal Jealousy Suggested to Husband and Wife by a Rival

33. ERRONEOUS Judgment
(Elements: The Mistaken One; the Victim of the Mistake; the Cause or Author of the Mistake; the Guilty Person)
A.

  1. False Suspicion Where Faith is Necessary
  2. False Suspicion of a Mistress
  3. False Suspicion Aroused by a Misunderstood Attitude of a Loved One

B.

  1. False Suspicions Drawn Upon Oneself to Save a Friend
  2. They Fall Upon the Innocent
  3. The Same Case as 2, but in Which the Innocent had a Guilty Intention, or Believes Himself Guilty
  4. A Witness to the Crime, in the Interest of a Loved One, Lets Accusation Fall Upon the Innocent

C.

  1. The Accusation is Allowed to Fall Upon an Enemy
  2. The Error is Provoked by an Enemy

D.

  1. False Suspicion Thrown by the Real Culprit Upon One of His Enemies
  2. Thrown by the Real Culprit Upon the Second Victim Against Whom He Has Plotted From the Beginning

34. REMORSE
(Elements: the Culprit; the Victim or the Sin; the Interrogator)
A.

  1. Remorse for an Unknown Crime
  2. Remorse for a Parricide
  3. Remorse for an Assassination

B.

  1. Remorse for a Fault of Love
  2. Remorse for an Adultery

35. RECOVERY Of A Lost One
(The Seeker; the One Found)
A.

  1. A Child Stolen

B.

  1. Unjust Imprisonment

C.

  1. A Child Searches to Discover His Father

36. LOSS Of Loved Ones
(A Kinsman Slain; a Kinsman Spectator; an Executioner)
A.

  1. Witnessing the Slaying of Kinsmen While Powerless to Prevent It
  2. Helping to Bring Misfortune Upon One’s People Through Professional Secrecy

B.

  1. Divining the Death of a Loved One

C.

  1. Learning of the Death of a Kinsman or Ally, and Lapsing into Despair
08
Oct

a stormy foreclosure of insecure authority

The strange weeks continue and script 2 is well underway. Jase got married, Shaun is leaving for Vegas to get married, Kim gave birth to a girl, Chloe had a car accident, Jess is in Syria, Jack’s in the new AC/DC video, Franki’s left for LA, Dean is locked in at Heathrow, Stroop’s off to Australia and it just carries on. In a few months i will be in Jerusalem toasting that the first 30 bullshit years are done.

Today i also heard some very sad news. A body was found in Radford Park in Liphook, where i always used to walk every day (and still do when i visit). After speaking to Nat i found out it was an old friend of mine called Oli Softley who i used to hang around with occasionally back in the day. He became homeless and was living out of a tent in the woodland, and it seems his drug problem finally got the better of him as a walker found him dead. It’s scary how many of my friends died young. I’ve got used to it. although i know i shouldn’t be.

In case you hadn’t realised it yet, things really are very doom and gloom. If you study the history, you’ll find that despite the differing conditions in terms of war etc, the economic environment is very similar to that of the Great Depression of the 1930s. Now’s not the time to be stubborn and resistant about it, as you’ve already lost enough. The most important thing to know about the depression is that it started years before people noticed it. The main effects of the economic collapse only started to bite badly around 1935, when unemployment reached 25%.

9000 banks went bust back then. The climate of the day was one of “false prosperity” where moneylending was rampant and everything was financed on debt (ring any bells?), In the last few weeks we have seen the nationalisation of Northern Rock and Bradford & Bingley, the near-collapse of HBOS through deposit withdrawal, and RBS is down 50%. Tonight the government pledged to increase our national debt by a third of our GDP (400BN) to part-nationalise and underwrite the debts of a whole raft of high-street banks, which out every household in the UK in for £13,000. The Americans just did a 700BN bail-out. This is total fucking madness.

It’s like trying to hold a cupboard’s doors shut when there is too much stuffed inside that keeps collapsing back onto you.

The reason i’m writing about it is more and more people are asking me what to do. I’m no maths or economics genius, and to be honest i’m not sure. But what i do understand is the basic laws of business and survival, as i learned them in blood, fire and anguish. There are a lot of very lost and frightened people out there at the moment not sure if they’ll have a job in a few weeks or whether they’ll lose their home.

Let’s start with the bad news. Recessions, slowdowns and depressions always last a hell of a lot longer than we expect them to. We’re talking 5-10 years. There is a very good likelihood that you will lose your job and possibly your home. In the very least your standard of living will drop and you will have major troubles working out how to keep all the things you have now on the income you have. We’re at the beginning of the cycle and it’s going to get a lot worse before it gets better. We will have a lot of false positives on the economic curve – it’ll seem like it’s getting better, but then it will crash again. The point of a depression is that even though it goes up and down, the figures are always below a certain line – trading and throughput is depressed.

So what can you do?

First, you need to start jettisoning excess baggage and trim the fat.

The people who have loaned you money will want it returned because they think you won’t be able to pay it back and also need the cash themselves – banks, credit card companies, loan/finance firms, retail stores and others. Get your debts paid off fast and get out now. Now is not the time to go out spending and racking up more debts. If you have serious debts you need to consolidate them and get a plan worked out for the worst case scenario. If you own a business, the bank won’t loan you anything and your customers won’t have much money to spend on you.

Next you need to ditch all your superfluous expenditure – all the luxurious shit you don’t need. That means getting rid of Sky and Virgin Media for a Freeview box, and a cheaper telephony provider other than BT. Bye bye magazine and DVD subscriptions (read it online), gym membership (create a plan of exercise in the open), expensive life insurance and more. If it’s not essential, get rid of it. Sell your car with the repayments and get something cheaper. Sell what you can now whilst the price is still reasonable and cattle panic-sell and flood the market. Use the bus. If you like spending £200 on a meal, then it’s premium organic fruit and veg and a new cookery course.

The first wave of people hit will be those in retail (as they rely on people paying with credit/store cards) and finance (for obvious reasons). Recruitment will be frozen everywhere, and then the job losses will start, You need to look at your job and see how depression-proof it is, and maybe changing career temporarily to something safer for up to a decade. Think i’m kidding? I’m not.

If you work for a moneylender (including leasing companies), get out right now. It doesn’t matter how good you are at your job or how indispensable you are, it’s about how well the company is fairing and how good the CFO is. Your qualifications mean nothing on the company’s balance sheet.

Your house value is going to decrease, and so is your ability to pay back your mortgage. So if you bought high, you’re in for some serious shit. If you don’t have a lot of equity (less than 10%), it’s time to think about selling up and taking on more flexible arrangements. Now is the time to think about that travelling around the world you always wanted to do for a bit and missing out the carnage. If you do decide to travel and sit it all out, register yourself as non-domicile with HMRC and set up a savings account to put 10% of what you earn overseas into for when you come back and look for a job.

Look at a second/back-up career or a second home-based business (e.g. eBay) to top up your income. If you’re smart, you’ll see lots of stuff coming on to the market very cheaply that you can snap up and make a great profit from. Get on a training course and extend your working day to bring in more cash. Don’t rely on your main job, and don’t rely on the company you work for’s assurances. They give you the “we’re in a great position” talk to fend off competitors backchat and stop shareholders from pulling out their investments. It’s all bullshit and you’ll be the last to know.

When others start jettisoning the excess baggage, they will try and sell everything they can, including all the stuff they bought on loans and credit cards. It’s an opportunity to pick things up very cheap. So wait for all the lemmings to sell their stuff, as they’ll take any price. And that is business markets 101 – buy low, sell high. Just wait it out. The cattle have bought high, and will be selling low out of panic to get money to keep up the payments on their house. That’s also an interesting point – if you haven’t bought yet, wait. There will be a whole wave of repossessions and you can get a place for 20% of what your trendy “property ladder” friends paid.

And that is why i personally haven’t bought a house yet.

As panic sets in, everyone will try to raise prices in a desperate bid to raise revenue. Household bills will go up, rent will get high and customer service will be slimmer. It’s a blip. Give it time and they will all lower prices once their existing customer bases deserts because they can’t afford it. It’ll keep getting lower so just wait.

It goes without saying not to put your money into stock markets or PE-based start-up companies. Invest in physical wealth (true wealth – things that retain their value) and unusual areas, like entertainment. You can’t afford to speculate. When times are hard, you can guarantee people will drink more, take more drugs, gamble more, watch more shit TV, fight more and commit more crime. Movies make great returns. Art grows its value. Gold is the all-time security. Debt collectors will be making a lot of money. If you make an investment now, it will be a long-term one and you can’t expect to cash out or make a return for a decade.

Most companies will look to save money, so they will outsource what they can. If you’re a computer programmer, it’ll be cheaper to hire someone from India or the Baltic states. If you make things in the factory, it’ll go to China, as it already is. If you’re a project manager, someone else’s job will get doubled up and yours will go. If you’re in recruitment, no-one is recruiting – move on. Don’t start a business that offers obscure or new products or one in a different market. Adapt your sales strategy to appeal to your customers need to save money. Don’t get involved in anything that involves customer’s spending excess cash as they won’t have it.

Whether or not you take your money out of a bank is up to you, but i’d be inclined to spread assets. The Bank of Ireland is guaranteeing 100% of savings, unlike the limit of £35k in the UK. If the bank collapses, you’re going to lose your money. Even if the government guarantees it, you won’t see it for a long time. The government’s backup is linked to the economy – if the economy goes, so does the government’s bonds.

What you need to understand is that cash does not have a constant value, and it only constitutes less than 5% of the money system. There is a very distinct difference between wealth and cash. A painting you own that is worth 500k won’t deviate and it is an asset. You sell that asset to exchange it for generated cash you can use. Cash in the bank is not security – physical wealth is. Put your money into wealth that is sustainable and will act as a preservative for your money.

You need to get a plan going, and face the things you don’t want to face. This is uncomfortable so you will procrastinate and find anything else to do other than work out what to do. You need to have 3 plans – a) if it stays the same, b) for when it gets worse, and c) the very worst case scenario. The sooner you deal with it, the less you will lose. Yes, it may be an inconvenience, but bankruptcy and homelessness is a lot more of an inconvenience.

If you think this is drastic, think back to last year when i wrote about the banks “battening down the hatches”. Everyone i know who is very rich or materially wealthy who can afford good advice pulled their money out a long time ago because they knew what was about to happen. That’s why they are still wealthy and very secure.

A lot of the way i have lived in the last few years have been about this depression. I didn’t buy a house, maintain a constant home or work for a corporate employer. I sold my business whilst i was ahead, have never trusted debt or credit of any form, and am actually financially conservative in terms of my resistance to buying high. Perhaps the reasoning behind many of my decisions will become clearer now and there will be less of the cynicism about my motives and so called “achievements”.

I saw a lot of this coming and reconciled my position by thinking ahead for the next 10 years. I didn’t buy a house when the price was sky high as everyone i know did, as i’m waiting for it to go bottom-low during re-possession time like a vulture. I didn’t saddle myself with debts and vaults of consumer high street bullshit because i knew it would be impossible to repay once the credit boom wave broke. You have to see the big picture and understand where you are going instead of just reacting in the moment blindly. If i want to get married and have kids, there was no way i was doing it having bought high, lost all my money and in the middle of a recession. Better to consolidate, wait, and do it when the cycle turns so my family are more secure.

If i am going to have a family, i want their home set on a rock foundation of stone rather than being a rudderless ship in a storm-drenched ocean. True security for me is not about wealth, it is about smart decision-making, conservative management and planning ahead. It’s about doing your research, choosing the right timing and being wise. You may not be able to anticipate everything, but the economic and scientific laws that govern us allow us to offset enough of the risk to avoid the worst of the trouble. I will never allow my wife, kids or extended family to know the pain and vulnerability i felt of losing your security, or the pain i will feel for allowing them to get anywhere near it.

I’ve learned a lot in the last few weeks about leadership, and the most profound part of it being the massive responsibility towards others that you have. Kate was telling me a story about her and her mum frantically locking up the house and hiding when they heard noises in their back garden, and i remarked that what they needed was the strength and presence of a man in the house to fend off the burglar in the dark at 3am.

It was around then when i saw what Virgilio said in a clearer light about most people being helpless and vulnerable – they put their trust in authority and look up to leaders for hope. When you fail, so do the hearts of those who look to you for strength, confidence and security. I realised that i spent the first 30 years of my life scared, untrusting and being betrayed by corrupted authority for one very simple reason – so that when i became an authority, i would never let the same thing happen to those who put their trust and hope in me.

“For the heart of the king is in the hand of the Lord.”

07
Oct

when making decisions sets you free

This weeka friend of mine wrote to me asking what i meant by being a “liberal” Christian. I replied that is was to do with my view on God’s character and the positive message of scripture, as well as the foundation of my faith in science and reason. I didn’t know he had been a Christian for 20 years, and asked him when it all changed for him. As they say, once you make your decision, nothing is ever the same again, hence the idea of being a “new creation”.

This is what he said.

——————————————————-

The bit in your book about the 10 commandments, and lusting after another woman made me think hard too. I suppose specifically its about wanting a woman in a way where you have power over her, and certainly if you are married its wrong.

I just wondered about the liberal bit, when you described yourself as liberal. Although I’ve been a Christian for 20 years, for me I am not particularly into labels and so I wasn’t even 100% sure what liberal meant. Your arguments on homosexuality, for example, I’d agree with. If that makes me a liberal Christian I guess I am. So it was interesting as I’d only thought of myself as a Christian before, and not further classified into a type of ..

But equally, I find certain bits in the Bible encourage me to be clear about my faith when others ask (is that preaching or is it more like making it clear that I am a Christian and people can always ask me if they want to find more). And not to give up meeting together with other Christians is another one of them, hence the journey to find a good church to attend….

Luke 11:23 was the catalyst.

Unlike you (I think), I had a great father and mother. No problems identifying an Abba Father character in God. Except I actively disbelieved because it was just plain daft. What was the point of doing Applied Physics at University and believing I understood stuff, if I was just going to believe in something invisible; intangible etc etc. Anyway, Durham is so full of churches, and the University is quite underpinned by Christian stuff that inevitably I met Christians and encouraged in all sorts of debate with them, from my position of obvious superiority. And the thing about these debates is, you can’t prove faith because if you could, you wouldn’t need faith. So we could have all sorts of fun arguments over many pints and got nowhere further, other than offending people.

But, one day this chap said to me – “did you know in the Bible it says

He who is not with me is against me, and he who does not gather with me, scatters.”

So I thought. Hmm, if the Bible does record Christ as saying that, what is my response? Seeing as I had heard it for the first time, I felt like I couldn’t hide from it, but I had to work out what to do with that information.

I started from the assumption that the Bible was quite possibly a load of rubbish and that Christ quite possibly didn’t say this and didn’t exist. But he might have.

So,

  1. If the Bible was not true, then it wasn’t an issue – result: Irrelevant
  2. If the Bible was true, and I was not FOR Christ then I was automatically against him – result: Not good for my long time future inc the eternal
  3. If the Bible was true, and I was FOR Christ – result: Good choice, excellent choice in fact if you consider the eternal. The only downside – I had to change how I lived. But the changes were actually pretty good e.g. Be faithful to wife; don’t steal; pray to and worship the creator of the universe out of free will …

If there was the chance the Bible was true, or if it definitely was true, then what it said needed serious consideration.

I couldn’t guarantee the Bible was false. Therefore I had to rule out 1.

So I just decided that for me, the evidence and the circumstances meant I had to choose 3. It was too big a gamble to ignore it and default to 2.

I was FOR Christ, and all that it entailed.

So I became a Christian. About 1985 I think.

A whole load of ups and downs since then. I’ve seen the worst excesses of church and Christianity, and I’ve seen some of the very best. From lovely, caring old people together in marriage and still in love with the Father and each other to homosexual abuse of innocents by a Christian radio presenter who I had to fire, and watch his marriage dissolve in front of my eyes, when I was living in Zambia.

I am not going to throw out my belief because of the bad behaviour of other Christians. That’s their choice and they will have the end results of their behaviour.

I haven’t ‘got it’ all yet. The issues of genetic research; the creation etc are all on my to do list to work out. But equally I don’t need to rationalise everything to understand that the gospel is about loving the Father and loving your neighbour.

I guess you can see, from my point of view, that I don’t want to be a half hearted Christian. Its incompatible with what I believe. Yet I don’t want to force my religion down people’s throats and people that know me do know I am a Christian and I am happy to discuss it.

Issues of sex outside marriage; porn; getting totally pissed and the like are issues that I face; have faced; fail and succeed at, depending on what day of the week it is and whether I am close to the Father or distant. Its like you said, if you imagine your loved one in bed with someone else its pretty bad. But if you don’t really care about your loved one and haven’t talked to them much over the last couple of months; maybe it feels less bad or even irrelevant. Its like that with me and God’s word and sinning. I can convince myself that the here and now is all that matters, but over time, I have to ask about my own character – can I be trusted? What am I like when I am on my own, in a country where nobody knows me; or in a hotel room where nobody can see me. Do I want to have to fight my own character or do I want to mould my character into something as Christlike as I can, with God’s help.

Phew. That’s enough for now as I need to contemplate the delicacies of online media in a changing world!

——————————————————-

And Lila posted an excellent comment that deserves mention of its own:

Like you, I had a positively shit start in life — and like you, no one nurtured my potential (I have such a love/hate for that word). I have harboured darkness and bitterness in my heart and soul for the longest time.

It took until the beginning of this year for me to figure out that I actually had to CHOOSE happiness. I mean I’m sure I’d pondered it before, but it was like a sudden explosion of clarity… Maybe I knew I had to choose it but never actually did.

Since then I’ve started seeing the good in everything. I’ve also noticed a bizarre side-effect: when you’re positive more good stuff happens. It’s such a cliché but so true, right?!

I wanted to tell the universe the amazing secret, staring them so blindingly in the face… and then I realised I’d look like that guy, the one who shouts about Jesus by our fountain in town on Saturday afternoons.

People only see preaching until they find it for themselves. They can’t even comprehend what you’re talking about so they poke and run, or follow and nod, without ever really understanding.

It’s so hard to see people close to you unable to be happy, especially when you can see all their good stuff. I wish I knew the secret to helping others see the choice, or perhaps more importantly, helping them choose it. I can only deduce that most people are either totally blind, or happy being miserable. Perhaps they prefer to moan and whine than live and laugh.

I had a very upsetting time recently, and instead of hiding away (as would be the norm,) I chose to look outward instead of in. I’m not religious, mostly due to the childhood crap, but I found myself having a very spiritual moment. I had another, even greater, a few days later.

I haven’t told anyone about that yet, I’m trying to word it right so I don’t scare them. When you’ve been a certain way your whole life and you change, people tend to worry, especially if you’re happier. “Stay miserable, you’re scaring me!”

I love your passion, after reading your site for a while I’m overwhelmed by it. But then that’s my nature, drink it in until you burst.

Thank you for the read — I think your blog just became staple diet =)

Lila
x

07
Oct

zeitgeist II: addendum & the venus project

Every so often something comes your way that changes the way you think about life, the planet, the world and humanity itself. Maybe that’s someone dying, making a million, having a child or just waking up to something new that you never saw before. Tonight i was doing some research on the similarities of the Great Depression of the 30s to the current “credit crunch” after we discussing the very scary thought that the conditions we are walking into now are very similar to those that allowed Adolf Hitler to come to power.

And i remembered Jim mentioned Zeitgeist II was coming out in October. So i loaded it up out of curiosity.  Although i may not agree with everything said in it, my world changed tonight. My thinking shifted. Essentially it illustrates how monetary systems work, why we have wars and drug problems, and how the need to profit has ruined almost everything we know. It’s very similar to what Sir Ken Robinson said in his TED.com talk about modern education systems being created to meet the needs of industrialisation and slanted in favour of training worker bees rather than encouraging creativity. Money and debt are the same - without debt, there is no money. Debt is a means of power.

We’ve heard all that before of course. What’s proposed here is very simple and provocative: we no longer have any need for money, so let’s just get rid of it and replace it with something more effective and beneficial.

Consider that for a second. What would a world without money look like? Curious? Watch it.

Zeitgeist: Addendum
http://www.zeitgeistmovie.com/

You have grown up in a monetary system that only evolved a few hundred years ago. You know nothing else. Open your mind for a second. What if we eradicated money and the monetary system? Can you conceive in your mind of world where money doesn’t exist like it was for all time except the last few centuries?

“In a world where 1% of the population owns 40% of the planet’s wealth, where 34,000 children die every single day from poverty and preventable diseases, and where 50% of the world’s population lives on less than $2 USD a day, one thing is very clear - something is very wrong.”

None of that is going to be solved by money. Money is what causes it.

No buying things or bills. No advertising. No jobs or labour. Everything we need available as something exchanged or for free. It’s an upgrade to a more advanced operating system for humanity. Solve the problems by taking out the root instead of just fighting fires and coping with them.

What an idea. What a vision.

The premise is equally simple. The earth already has everything we need. 70% of the earth is water. Plant and animal life is self-sustaining for food. The sun, earth’s core and weather are self-sustaining energy sources that can provide all our electricity needs. Work can be automated with machines. Technology is the key (and only) factor that improves quality of life, and it comes freely from human ingenuity and creativity if the resources are available.

Funnily enough, it’s a key theme in Star Trek. The assumed history is that money was just a very primitive way of doing things and was actually the cause of the planet’s problems that was being used as a way to cure itself, which is absurd. In a few hundred years, will the generations study us in total disbelief that we were so basic, neanderthal and outdated as to live around a monetary system?

To appear credible, you need an alternative. One of those alternatives is a resource-based economy proposed by the Venus Project think-tank.

What is a “resource-based economy”?
Simply stated, a Resource-Based Economy utilizes existing resources rather than money and provides an equitable method of distributing these resources in the most efficient manner for the entire population. It is a system in which all goods and services are available without the use of money, credits, barter, or any other form of debt or servitude.

Read more about the Venus Project here:
http://www.thevenusproject.com/

“It is no measure of health to be well adjusted to a profoundly sick society.”
Jiddu Krishnamurti

06
Oct

help to make it truly salvation for april

The collaborative scriptwriting for “Michael’s Resignation” went so well that the natural progression was to write another drama to follow it. At the time of our first draft, around 70 writers created a 93 page script with over 20,000 words, and more just kept registering. The same theme kept getting repeated over and over in emails and messages - “i wish i could have written more for it.” So, i devised another story, and it looks like we’ll making this the 2nd in a series of 5 based around life-changing events that happen duing the “credit crunch”.

This time our anti-hero character April is going to do the opposite of Michael, starting off as a baddie and going on a rampage of good.

Here’s the overview:

“A self-obsessed bulimic fashionista (April Heartley) who finally loses the Covent Garden styling boutique she has been using to fund her lavish lifestyle because of the “credit crunch” tries to kill herself and is unexpectedly rescued by the tramp she abuses every day. After waking up in hospital and learning he is gravely ill, she embarks on a desperate race across London to find him and save his life in return, and in doing so, sets off a chain reaction of events that forever changes the lives of everyone around her.”

You can read the treatment (summary) for the drama is here:
http://www.azcameron.co.uk/Salvation.For.April.pdf

You can join in the writing on PlotBot.com here:
http://www.plotbot.com/screenplays/salvation_for_april/join/996080ed

The next one is tentatively called “Aidan’s Darkest Sermon” and about a holier-than-thou local ex-alcoholic vicar who murders the prostitute he accidentally sleeps with out of maddening jealousy and obsession.

04
Oct

because thinking and vulnerability makes it so

It’s a fairly safe bet that if things go quiet on the blogging front, i’m wrapped up in something i’m enjoying. And yes, i am happy. I write more when i need to get things out of my system, typically bad stuff that has no other constructive outlet. I’ve been so deeply engrossed in writing scripts and stories for movies and TV that nothing else really matters. I have all the things i wanted and although it’s not a matter of feeling unstoppable, there is a certain peace that comes from understanding who you are and what you were born to do. It’s strange that when you do what you were meant to, everything else seems superfluous. I’m in love with many things (and people) and when that happens, i just want to lap it up rather than blast it to the world.

I’ve learnt in the last few weeks that i think in dialogue. 2 weeks ago i had never even seen a script, let alone write one. It’s supposed to take a minimum of 12 weeks but with the help of the most talented young screenwriters around, we put together one of the best in less than 7 days. I get people telling me they are feeling like Michael, or how they can’t get the movie out of their head from thinking of all the things that could make it better. They want to know his background and feel like he is real. What was one film is now a series with a template. Tomorrow i will release the next one, entitled “Salvation For April”.

Prophecy is secretly being built in the City completely organically, and will be available on fiber-optics next year.

We have 68 writers (with more registering every day), 38 scenes, 1040+ edits and a script of 87 pages containing more than 20,000 words. And it just keeps pouring out. The way it has inspired those around it is amazing. Just having the freedom to get it wrong has opened up a Pandora’s box of possibilities for those who didn’t have the confidence beforehand. We’re now thinking of ditching the commercial soundtrack and helping musicians too by holding a MySpace contest to get unsigned tracks onto the film. Incredibly talented young people (even Edward, who is 16) have a chance when no-one else is prepared to give them one.

Helping one person isn’t good enough for me anymore. I’m batching it into large groups so we can help crowds en masse. The more people we help, the more successful we will be.

Joby inspires me massively simply as he thinks so similarly to me. He hates people telling him what can be done or how it should be done, and he shares my vision. I’ve seen his excitement grow with everyone else’s from all over the world. He knows exactly what to do and has already shot the film in his head, and we both chose identical-looking actresses for Sarah’s part, which is just spooky. We sat in the Royal Festival Hall talking through how great it would be to have a launch of the movie there. And i guarantee you, we will. Him and i are going to enjoy a very long and successful partnership making a long list of films that are critically acclaimed.

Joby also taught me something else this week because of his problems with hypoglycaemia. One of its symptoms is nosebleeds. If you have starved yourself and are running down low on blood sugar, your nose will often start bleeding as a warning.

I have no idea how most people live. I look back on this year and i have this list of things i’ve gone nuts with - a cerebral haze of creativity that keeps getting more prolific. We did the Killstream demos, published Rockstar 2.0, i wrote 2 books, designed over 20 TV programs, dated famous glamour models and now am on a new series of 1hr drama movies. There were millions of little things in between of course as well and there is still more to come (including my autobiographical movie of the first 30 years of my life). Next year we embark on 21CC, which is a massive project.

Without wanting to sound harsh as we all have our own parts to play, when i ask myself what others have done in their lives, the answer is absolutely nothing. A year has gone by and they are still in the same jobs, visiting the same places and sitting in the shit of their own mistakes – this tedious routine of unbearable monotony. They are just there, getting up every day and living on coma auto-pilot. Maybe that’s OK for a lot of people but it’s a short route to madness for me. It’s not that i have to crazy busy every moment of the day, but i have to be creating, sifting ideas, exploring the world and revel in meaning to feel happy and content. I’m in great haste to enjoy my life and do as much as i can before i’m called home.

Maybe i need to design a board game next. How hard can it be?

Everywhere i go and everything i do is a documentary. Everything counts towards a film. My sis said to me that i was “full of films”, and she’s right. I am bursting with movies for every second of every person’s day everywhere. The process is extraordinary, but most importantly, movies change people’s minds and hearts, and you can get away with things in film that TV would never allow on its most liberal of scheduling times. We get to go up in a helicopter and blow things up, and get paid for it. Not only is this “work”, it’s worth billions and will make us all very wealthy indeed, very quickly.

But there’s a wonderful irony – none of us give a shit about the money. It’s nice, but it’s not the motivator. Passion for bringing ideas and points to life through dramatic visualisation is. The magic of doing it doesn’t have a price. It’s just conveniently something that makes a hell of a lot of money, so if you love doing it and do it very well because you’re very passionate, the money crashes in like a continuous barrage of low-flying silver clouds.

I’ve turned the rants in my head into script dialogue, and when i write stories and scripts now i am simply describing the movie as i pause, rewind and play it in my head that i pieced together in logical sequences. All things are created twice, as Stephen Covey so rightly observed. Getting it out theatrically is totally fulfilling and cathartic exercise with a very uncomfortable by-product – it leaves me with no desire to write on my fucking blog. I can speak through characters and illustrate points and things i learn through situations and story morals as they are actually more powerful than simple prose.

There’s no doubt that the last 2 weeks have been some of the most negative in a long time, with my mum’s biggest client terminating her contract, my sister surviving a nasty car accident and the violence i was involved in recently that left my attackers with shattered arms and ligaments. Somehow i escaped with barely a scratch, as if i had a shield. I wish i could say more on it but until the legal ramifications are clear it’s wiser for me to stay away from it. Everyone who i care about got a private blog explaining the chaos anyway. Until then, dear reader who i don’t know, you unfortunately shall have to wait.

The sheer positivity around me is also inspiring, and i’ve noticed that it is even more infectious than others’ misery. Thankfully i’m now almost allergic to victims and naysayers and can barely stand their company. People like Caroline, Vikki (who is in this week’s Nuts as Bedroom Babe), Vanessa, Sapphira, and the hilariously gorgeous and uber-special Chloe are a joy to speak to. You make them feel positive, they make you feel positive, and the whole world just seems easy, even when it’s hard. You speak faith into each other’s lives and there is nothing you can’t do or achieve when there is encouragement all around you.

Caroline’s positivity is so overwhelming and electrifying – i don’t think i’ve ever known a chick who is so driven and enthusiastic. Watching Chloe drunkenly doing martial arts at 3am with Piers has got to rate as one of the most absurd and bizarre things i’ve been privy to for a long time.

That kind of positive and wilful attitude is such a tiny and short leap of discipline but most people just can’t grasp it. They are so entranced and focused on problems that they never see the other 350 degrees of the rest of the circle. Their perspective on things is so narrow that they can’t see any other side to it. When they wake up they get on their own constructed carousel – the daily routine they drag themselves through that is only broken up by arguments, cheating, cheap holidays or a tawdry and soulless Saturday night drowning themselves in alcohol desperately trying to feel special.

What really touched me is that Virgilio came all the way down from our home turf in Clapham to Liphook just to see me and my sister play. We spent the hours after talking over how we were going to go about producing Chloe’s brother’s band and many other spiritual topics like Mentalism and the natural magic of music. He showed me a perspective whilst i was ranting about sheeple and people who do mindlessly stupid things and are too proud to admit it. I called them dumb.

He corrected me. He said “no, not dumb. Vulnerable.”

And he is entirely right. I’ve got too used to criticising and haven’t seen the real story – that most people are not into self-governing and are fundamentally lost. They say a leader without followers is just a guy going for a walk. I am so hard-headed, and as i learned recently, able to withstand massive physical, mental and emotional assault that i assume everyone is the same. Rejection never, ever phases me, and i forget how devastating it can be. Conflict makes me salivate when it scares the life out of most people. When you only have your own frame of reference to guide you it can be easy to lost track expect everyone to have the same resistance as you.

You have to make your choices, and mine are solidifying. When you grow up through your teens and 20s, you are brainwashed into trying to fit in with everyone and everything else, and into respecting everyone’s right to believe what they want. A few more years and you begin to realise that a considerable majority of people in this world, a hardcore minority, have already chosen sides whether you like it or not. Staying on the fence only benefits them, so of course they, and the other cowards around you, insist you must be tolerant.

But the truth is that this planet will never be at peace. There will always be those who choose to do evil or just plainly fuck things up because they are incompetent. They will always exist and they will triumph if not challenged. They have already chosen, and you need to make your own choice and decide who you are and where you stand. Some people’s beliefs are just simply wrong – do you agree we should tolerate everyone’s? Is it ok for paedophiles to believe children lead them on, or for leaders like Robert Mugabe to torture political opponents?

Well the first step in your recovery program is to accept that it is not right to outrightly respect everyone’s “right” to hold their own opinions and beliefs.

There is too much wrong is this world for you to give up and sit around doing nothing. You have to stand up and sort it out. There is too much evil in this world for you not to get up and fight it. You can stand in the middle trying to make peace with everyone – if we did that in World War II, we’d all be speaking German. There will always be those who do evil and who fuck up the things that need to be right. They stay that way until we take responsibility and kick ass to deal with it. That means enforcing your will and beliefs on others. Get over it. We’re right, they’re wrong.

It’s childish to live your life expecting everyone to just get along. You have no control over the bad choices of others, but you can oppose and limit the damage they do.

And that goes for the way people think, just as much as it does for how they act. I can’t get over how negative the vast majority are. It’s so utterly pointless. If only they could hear themselves. The excuses and reasoning is so corrupt and nonsensical that you can’t help but feel sorry for the endless muddle they always end up in. Add pride and stubbornness into the mix, and you have a very nasty stew.

It comes down to a simple principle: you can’t expect to live a happy, positive and fulfilled life if you maintain a negative mindset.

It seems so simple. If that’s the case, how you haven’t got it yet? That plasma Tv you bought on your credit card isn’t going to bring you happiness if the person watching it is as dull and as dishwater or the proverbial second coat of paint. Don’t expect to find emotional or spiritual fire in cheap throwaway magazines or pathetic material conquests like seducing unavailable men. When you think about it, it’s a little short-sighted and ridiculous, isn’t it? And there’s no reason or rhyme not to choose to see the positive sides of a situation, as it doesn’t mean you are naively ignoring the bad. Choice means seeing them both, and deciding which to go with. Only seeing the bad is not a choice, it is a compulsion.

And i guess that is what fascinates me - we choose our beliefs. We choose what to belief. Most people act as if beliefs and attitudes are enforced on them somehow and circumstances demand their thoughts and feelings are under the control of anyone but themselves. We choose. We see the sides and we choose what we believe and think. It’s a great wisdom and powerful insight once you reason it, and also extremely liberating.

Which side of a situation do you choose to let occupy your thoughts and heart? What do you believe, and what controls that belief? Do you choose to fixate on only the tiny slither representing the bad, the frightening, the painful and the limiting, or do you see the rest of the circle and the big picture? Do you choose to seek out the good, and block out the bad? Thoughts become strongholds, that live like cancerous toxic growths holding us down and keeping us ill. Do you choose your condemnation for yourself, or do you fight for your mind and heart by deliberately centring on the good in any situation?

As Shakespeare so rightly wrote, there is no good or bad, only thinking makes it so.

04
Oct

crack dealing: the worst job you can have

TED.com does it again with its brilliant insight. If you thought crack dealing and gangster life was a lucrative and glamorous life, then think again. You’d earn more and be better off working at your local MacDonalds. Most street dealers live with their moms. You would only know that if you spent time with the big gangs analysing their books and studying their organisation academically.

Freakonomics author Steven Levitt presents new data on the finances of drug dealing. Contrary to popular myth, he says, being a street-corner crack dealer isn’t lucrative: It pays below minimum wage. And your boss can kill you.”

30
Sep

my not-so-open letter to channel 4

Today i wrote to a very senior person i know at Channel 4 who is head of their Specialist Factual department but as it became broader in its scope and is philosophy-defining it deserved a re-print here. Names and details are omitted, naturally.

————————————————————-

Thanks for your responses to the format proposals i submitted last week via the 4Producers/EWorks system. I didn’t want to flood your inbox with replies to each so i’ve combined them all into a single mail here. I appreciate they came through as a lump rather than a flow.

We were saddened by the rejection of Chris Morris’s latest series. But we’re also very surprised as they would seem to have a natural home at C4. I can imagine it must be hard to make decisions to trust program formats where the company behind them has so little track record despite a fantastic-looking team. It must also be difficult to see credibility when decisions on talent are left open and not tied up on the ticket. I can’t imagine how difficult it must be for you to get good quality programming generated in your department onto the schedule when the constant internal pressures seem to be for “tabloid” content.

Before any proposals or pitches are made for films or programs, we put them in front of a focus group of 500 people from 16-40 in different places and demographics to get an idea as to which are most popular. It may not seem much but it’s 10% of BARB’s capacity of 5000 or so and ultimately staying close to the customer is what keeps us all in business and ensures viewership. In all of our studies the same feedback is arriving – a boredom/intense dislike of reality TV and tabloid content. Our research (and others) seems to suggest that people are just watching it because “there’s nothing else on”. They are dying for something better. They want more interesting and challenging programming that is as entertaining as it is thought-provoking. They feel patronised. I cannot over-emphasise how many times we are all approached and told how fed up those customers are. What we have done is listen to the viewers and give them what they want, and reassured them that broadcasters care and will be faithful to that demand because the last thing they want viewers to feel is that they are monopolistically abused.

I think i’ve identified a number of themes which i’d like to address with the same candour, if you would allow me to.

The first is concerning underestimation of the tasks involved. I’m fortunate in having built a team that has successfully delivered programming for the likes of Discovery and the BBC that has taken considerably more than “Dark Nature” or “Worldchangers” requires to achieve the dynamic you rightly point out. Both myself and Joanne Reay have run and exited multi-million pound companies and part of that success has arguably been managing resources and cashflow, as well as finding ways to accomplish great things without necessarily having the greatest means. The awkward truth i’ve come to see, especially in TV production, is that production companies frequently bloat their budgets to squeeze as much money out of broadcasters as they can – a good example being a spec document my friend at a web agency received recently from Fremantle for £30k for a simple website that could have been built in 48hrs for 5% of the cost with the right software and expertise. This kind of thing is implicit everywhere in media, but from experience, we don’t just believe, but know, that the amount of money being claimed just isn’t needed. Yes, there are great pressures, but effective management of resources, personnel and processes mean that we can operate at a more efficient level, and of course we will come in and pitch low because we’re hungrier and want the business. The cheaper we do it, the more programming you can re-commission us for.

The second is talent. Even though none of us deny the need for programs to have talent as a draw, one thing we all share in our team is a resistance to celebrity-reliant programming. It seems these days that formats are created by getting a bunch of them together and building a show around it, as it’s what seems to draw in the crowd. Our belief is that the people, the story and the subject material are what compels the audience and tells the story and the talent points in the direction of the story, which is central. We believe genuinely excellent presenting talent generates and casts a spotlight on guests and featured parts of a story rather than stealing it for themselves, and is part of a bigger story or issue that has importance to us all. For our own part we want discover and nurture new talent, and we know broadcasters will always want to discuss it (and a lot of the time have an idea that might be more effective that we missed), so we leave it open to show our willingness to work together in partnership.

The third and last is about being conceptual. Tabloid content is like a greasy hamburger – it might ease the hunger, but if you had your choice, you’d order a cordon bleu fillet steak with champagne. And it never fills you up. We want to look deeper and ask what the hunger is and why it’s there. We’re going into a recession and its hard time for everyone, and of course nobody wants to get home to more doom and gloom when they switch on. But being hungry doesn’t mean you want a hamburger if you had the choice, even though you might take it if there was no other food around or if it was the first thing on offer. Escapism doesn’t have to be mindless – it can mean becoming lost in a new subject, topic, area, story, character, premise or moment. Difficult or deeper topics don’t have to be less entertaining, as our approach is about finding new ways to show new angles on well-explained things (e.g. drug chemists/labs rather than social impact). It’s riskier to commission programming for the minority who aren’t over the 100 point IQ barrier than to consider your audience to be intelligent and discerning. Most people spend 9 hours a day in a job they hate with their brains switched off, and aren’t resistant at all to being challenged and inspired to think by learning and experiencing new things. They do want ideas. They want concepts. Movies are based on concepts and premises. Thinking is refreshing. Discovering new things is refreshing. They want to learn and to care. They want the variety that allows them to delve into narrower places than simple “broad appeal”.

Dan Chambers may have been a famous casualty of the “upmarket” sting at Five but where i believe he got it wrong was that the programming wasn’t dramatic or pushy enough to compel viewers. Our formula is one where for each step up in the intellectual/emotional stakes may possibly alienate the audience, so the entertainment/adrenaline factor needs to go up 2 steps each time in parallel.

While i’m at it i probably should say that there is also the issue about formats being “original” or differentiated enough, as this seems to be a recurrent theme in commissioning documentation. I don’t believe there is such a thing as true originality, but i do believe there are more ideas and angles than we could ever cover and we will never run out. Experience dictates that competition means a viable market with demand and interest, and there is a very mesmerising cognitive dissonance in broadcasters being picky about originality when they only seem to commission programming in trends or that have similar/safer/tested themes and structures. Celebrity dog training may be funny in what appalling drivel it is, but it’s the bottom of a very short barrel that people at home are forced to drink from.

Ultimately we believe the need/hunger is for meaning, as i included with the pitch notes. In hard times like the credit crunch, we need to understand. We search for meaning. We lust for it like automatons. In all of the darkest periods, we reach out to learn why, not how or what. Understanding gives us comfort and hope, and satisfies that hunger. New ideas broaden and compel us to change our lives and communicate them to others – it’s a licence to be excited by what we are being shown. Being captivated by imagination, having new angles and topics illustrated to us and falling in love with what’s on the screen is the most compelling of all entertainment and escapism, and becoming more by being educated and feeling inspired is the greatest loyalty ticket any broadcaster can command. Ofcom may be heavy-handed when it comes to being objective, but why should we be if we are prepared to tell the audience we are making a case for one side and sparking off the debate? Daring to be masterful and stepping out to present programming in a dramatic and original way that allows us to discover and find joy in new unknown talent must be the most powerful incentive to turn keep the channel on and tune back in again. The joy of being surprised has been lost in television somehow over the last years.

I hope you will take these remarks in the humble way they are intended; 24 million disenfranchised households out there are looking for leadership and hope that only you can provide, and are qualified to release to them. I also hope that you will see that Devils Lane is a company that will give you truth in its (possibly unsolicited) counsel rather than telling you what you want to hear to get the cheque, and i say it to engender trust – i’d rather sell the Big Issue than do something we don’t believe in, but more importantly, that the audience don’t believe in. All it takes is for one commissioner or company to publish a program that does buck the tabloid trend and causes viewers to flood en masse when they are given the chance for everyone to follow suit – just as it happened with the first reality TV programs. The question is who that will be and when, and who the losers will be after they all pile in. I sent in Backstreet Kitchen against my better judgement as i want to get it out of the optioning processing at the BBC before it becomes re-shaped into another lame tabloid drugs program.

We’re in the midst of making an incredible movie called “Michael’s Resignation” inspired by the collapse of Halifax, and i would love to send you over the material once we have finished the edit as i believe it embodies all we are about and will illustrate our production kudos very well – it’s a 1hr Hollywood-style feature done ground-breakingly cheaply with the best young director in the UK that is truly innovative and unbelievably emotional and intense. I know for certain that no broadcaster would dare show it because of how wrenching and challenging it is, but from the interest we have in it already (which is getting out of control) that won’t be an issue when it comes to distribution.

I don’t know you well enough to know if you share the same values (although i suspect you do as you are as powerful as you are), but please do pass what i’ve said along if you do. I would love to get engaged in some vibrant debate and exchange thoughts, and it would be great to keep the dialogue open. When it comes down to it, we share a common interest and passionate vision – one to set the bar much higher and aim for a historical career of extraordinarily engrossing, headline-grabbing and world-changing television that affects the lives of millions of people.

I know this letter is very long so i can only thank you for taking the time to read it, and i hope it has perhaps given you a new perspective on our philosophy and why we are so different to other format houses and production shops. I didn’t get into business to give up easily and none of us have ever failed in what we set up to do because of underlining what we do with passion and integrity. I know those are central C4 values, hence why i know we’re naturally paired and ready for when you see the right time to punch through the grey skies of mediocrity that are out there now for those fresher sparkling pastures where watching TV is a life-changing experience.

Alex

21
Sep

smivadee talks daytime talk shows

Viikki (Nuts Mag 30th Sept) recently introduced me to Matt Smith, aka Smivadee. I’ve become a huge fan. His videos are a great example of how to do something big with limited resources, be creative in a unique personal way and get yourself noticed. The guy’s funny as hell and incredibly dynamic.

Take a look for yourself.

More:
http://www.smivadee.com/





this month

October 2008
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

What I'm Listening To